Pincus, Robert, “Galleries”, Los Angeles Times, April 15, 1983, pg 8
Bucy, Erik, “Stephen Douglas: Portrait of the Artist as Professional”, Westwind Magazine, UCLA Journal of the Arts, Spring 1985
Zimmerer, Kathy, “Stephen Douglas”, ArtScene, November 1986, V 29, No 3, cover and pp 18-19
The Infinite Voyage, W.J. Walter, Producer, a production of WQED/Pittsburgh in association with the National Academy of Sciences. Aired on Public Broadcasting System on April 6, 1988.
Brzezinski, Jamey, “A Printmaker’s Paradise: Recent Acquisitions of the Achenbach Foundation for the Graphic Arts, Part Two 1959 – 1991, Artweek, November 21,1991, V 22, No 39, pg 9
Frank, Peter, LA Weekly, “Pick of the Week”, October 20, 1993
Nashville Banner, “Portrait of Thurgood Marshall Unveiled”, December 3, 1993
Murray, Elizabeth, “Portrait Honors Race Relations”, Vanderbilt Register, Dec. 6-12, 1993, pg1.
Frank, Peter, “Pick of the Week”, LA Weekly, November 9, 1995
“For My Father”, illustration, Frontlers, November 17, 1995, V 14, Issue 14
“Vital Signs at the L.A. Municipal Art Gallery, Artweek, December 1995
Catalogue, Narcissism – Artists Reflect Themselves, California Center for the Arts, Escondido, CA
O’Brien, Draza Fratto, “LA Beyond Recognition”, Las Vegas Weekly, May 15, 1995.
Wilson, William, “LA Gives Draughtsmanship Its Due”, Los Angeles Times, may 15, 1996 Calendar Section, pg F4
Van Proyen, Mark, “Figures of Integration/Ciphers of Resistance”, Artweek, June 1996, V 27, No 6, pp. 14 – 17, with two illustrations.
Pincus, Robert L., “Dreaming of Me – Artists hold a mirror to themselves and the Conceit is not at all in Vain”, San Diego Union Tribune, Sunday, February 11, 1996, pp. E2,8
Frank, Peter, “Pick of the Week”, Drawn from LA, LA Weekly, may 24,1996
Ollman, Leah, In Brief, ‘Narcissism: Artists Reflect Themselves”, ARTNEWS, June 1996,pgl,57
Artists Talk About Face, Guest Lecturer with Don Bachardy, Kent Twitchell, Sylvia Shap, Barnsdall Art Park, Los Angeles, August 1996
Whole Life Times, August 1996, Illustration, pg 22
Frank, Peter, “Pick of the Week”, LA Figures: A Survey of Figurative Painting in Los Angeles, LA Weekly-, August 22,1996
Frank, Peter, “Pick of the Week”, Other Faces, Be Specific. L.A. Figures, LA Weekly, August 30, 1996, pg 142
Harp, Grady et al, The Time Machine, Catalogue for the exhibition, Anchorage Museum of History and Art, publisher. 1997
Catalogue, National Exhibition of American Art, Chautauqua Center for the Visual Arts, publisher. 1997
Catalogue, Exhibit ’97, Columbia College, Osage Beach, MO, The National Oil and Acrylic Painters’ Society, publisher. 1997
Auer, James, “Show reflects judge’s style, but still offers wide variety”, Milwaukee Journal Sentinel, ugust 3, 1997, pg ART 3
Curtis, Cathy, “Body Language Meets the Naked Truth”, LA Times, Orange County Edition, Tuesday, August 26, 1997. with illustration Jeffrey
ZYZZYVA, Winter Issue, V XIII, No 3, 1997. Publication of three drawings.
Walsh, Daniella B., “Celebrating a new body of body work”, Orange County Register, Fine Arts Encore Section, Sunday, September 7, 1997. Review, Illustration
Lee, Ela, “Estetica”, 20 de Mayo, 1997, pg 13, September 20,1997. Review in Liceo International de Culture of Body Language
Frank, Peter, “Pick of the Week”, LA Weekly, V 19, No 47, October 17 – 23, 1997,Reconfigured 1: Painting”
ARTLINES, “Cross Currents: First juried exhibit at Anderson Museum”, The Mississipi Press, September 14, 1997, pg 7-13
Bass, Clayton, “Cross Currents goes with the flow”, MotifA, Quarterly Periodical for Walter Anderson Museum of Art, pg 8, Summer, 1997.
Klaasen, Donna, “‘Success” Stephen Douglas, Art Venues, The Orange County Guide for Artists., Winter 1997, V 1, No 3, pg 4
Tokomura, Megumi, “Artists’ works capture many sides of human condition”, Whittier Daily News, January 31, 1998
Ackerman, Gerald, The Drawing Group, An emerging School of Los Angeles? Catalogue for the exhibition, March,1998. Published by Loyola Marymount University
Wilson, William, ‘More Angst the Answers created by Drawing Group”, Los Angeles Times, Calendar Section, pg F 12, April 12, 1998
lannacone, Carmine, “The Drawing Group at Loyola Marymount” 1998 LA Weekly, April 10, 1998
Erlebacher, Martha Mayer, Catalogue, Texas National 98, Stephen Austin State University, Nacogdoches, Texas
Williams, John, SEX: Portraits of Passion, published by Watson Guptill, 1999, ISBN 0-8230-4784-9
Harp, Grady, Indominable Spirits: The Figure at the End of the Century, Catalogue published by Art Institute of Southern California, August 1999, ISBN 99-73530
von Mizener, Donna and Novikoff, Nadia, Courting the Muse, Catalogue, published by California State University, Fullerton, April 1999.
Schoenkopf, Rebecca, “NEXT PLEASE: What the art world needs is a good renaissance”, Orange County Register, April 23, 1999, V 4, no 33
Tapley, George, “Courting the Muse: Contemporary Paintings, Historical Influences at Cal State Fullerton”, Artweek, June 1999, V 30, pp. 24, 25
Carasso, Roberta, “Century’s end figures prominently at Art Institute exhibit”, Laguna Post-
Lee, Ela, “Siempre el hombre: La Figura”, 20 de MayO, 1 and 28 August, 1999, nos. 2037 and 2038 (two parts). Review with illustrations.
Walsh, Daniella, “Human form given thoughtful treatment: Indomitable Spirits is a provocative installment at the Art Institute”, Orange County Register, August 29, 1999, in SHOW/Encore, pg 21
Schoenkopf, Rebecca, “Nudes! Nudes! Nudes! And why is Laguna’s art scene suddenly brilliant?”, Orange County Weekly, September 10 – 16,1999
Mendenhall, Lauri, “Singular Sensations”, Coast Magazine, October, 1999, pg68
O’Hern, John D., Re-presenting- Representation IV, Arnot Art Museum, Catalogue, 1999
Carasso, Roberta, “Five artists portray varying perceptions of the human form”, Laguna Post news, August, 2003, pg. 24
Schoenkopf, Rebecca, “All this senseless Beauty, Peter Blake Gallery gets it right”, Orange County Weekly, August 22 – 28, 2003,
Turner, Frederick, “Visionary Realism”, American Arts Quarterly, (Summer/Fall 2000, Vol.XVII, No.3-4)
Fuglie, Gordon L., Representing LA, Frye Art Museum, Catalogue 2000
Butler, Craig, The Greatest Album Covers That Never Were, Rock and Roll Hall of Fame catalogue, 2003.
O’Hern, John, Re-Presenting-Representation VII, Arnot Art Museum, Catalogue, 2005
O’Hern, John, American Art Collector, “Museum Curator, Collecting Figures”, March, 2006, pg. 40.
Holson, Laura M., Enough About Me. Like My Portrait? The New York Times, February 19, 2009, in Home/Garden, pg. D5.
Harp, Grady, Poets and Artists Magazine, “Stephen Douglas, An Elusive Provocateur Whose Time Will Come”, May, 2010, pg. 79.
Lawrence, Sharon Orleans, How the Materiality of Paint is Intrinsic to the Work of Art, New York, Edwin Mellen Press, 2013, pages 96 to 105.
John David O’Brien,Stephen Douglas, “Paint and Process”, at Bakersfield Museum of Art, Art Ltd., May/June 2017,page 25.
Genie Davis, Beyond the Age of Reason, at Sand Diego Art Institute, Art and Cake, A Contemporary Art Magazine with a Focus on the Loss Angeles Art Scene
Emma Veidt, 20 Must-See Exhibits in Sand Diego, San Diego Magazine, September 2018,
AWARDS and HONORS
Garfield Lecturer of Painting and Drawing, Roski School of Fine Arts, University of Southern California, Los Angeles, California 2009
67th Annual National Art League Exhibition, Third Prize 1997, Self- Portrait 1992
Judge’s Award, Northern National at Nicolet College, Rhinelander, WI 1997, Philip Pearlstein, Juror, Self- Portrait 1992
Judges Award, Walter Anderson Museum, Osage Beach, MI 1997, Jeffrey
Merit Award, Exhibit’97, National Oil and Acrylic Painters Society, Ted
Best of Show, INsights: Contemporary Self-Portrait, Ridgefield Guild of Artists, Ridgefield, CT, Self- Portrait 1992
GOLD Award, Best of Show, San Diego Museum of Art All California Juried Exhibition, Wolf Kahn, Juror, Dawn
Honorable Mention, Texas National 98, Stephen Austin State University, Nacogdoches, TX, Martha Mayer Erlebacher, Juror, Cherie